Hollywood thoughtforms are driving the world towards disaster from GLP

 

User Flawed posted this on GLP and I think it is a plausible model for what is going on here.

Thoughtforms are intriguing manifestations born from the fertile grounds of the human mind. They arise when thoughts, emotions, and intentions coalesce into a tangible, albeit ethereal, entity. Like tendrils of consciousness materializing into form, thoughtforms embody the essence of their creator's inner world—shaped by beliefs, desires, and fears. They can range from fleeting wisps of energy to more defined beings with distinct characteristics, influenced by the intensity and clarity of the originating thoughts. Thoughtforms hold a mirror to the psyche, reflecting the subconscious and conscious aspects of the individual, and often persisting until their purpose or energy dissipates. Thus, they serve as a reminder of the profound power inherent in human thought and imagination.

"You can't do magic without imagery," as the saying goes, and the same principle applies to the unintended creation of harmful thoughtforms through movies. When we immerse ourselves in cinematic narratives filled with vivid scenes of violence, fear, or malevolence, we inadvertently feed our imagination with potent imagery. These mental impressions can take on a life of their own, coalescing into thoughtforms that embody the darker aspects portrayed on screen. Whether it's a phantom of terror lurking in the shadows or a specter of aggression waiting to manifest, these thoughtforms can subtly influence our thoughts and emotions, potentially amplifying feelings of anxiety, unease, or aggression in our own lives. Thus, while movies entertain and inspire, they also wield the power to shape our inner landscapes, prompting us to tread carefully in the realms of imagination and perception.

The phenomenon of thoughtforms, shaped by the collective consciousness of movie audiences, exerts a profound yet often unrecognized influence on our world. Through popular films and media, these thoughtforms crystallize into potent symbols and archetypes that permeate societal beliefs and aspirations. Unfortunately, in recent years, a trend has emerged where these thoughtforms increasingly depict apocalyptic scenarios, dystopian futures, and cataclysmic events. As audiences immerse themselves in these narratives, their collective fears and anxieties manifest into the fabric of our reality. Subtly but persistently, these thoughtforms shape public discourse, policy decisions, and even technological advancements, nudging humanity towards a self-fulfilling prophecy of disaster. The blurring lines between fiction and reality amplify this effect, as the boundaries of what was once deemed unimaginable collapse under the weight of our collective imaginations. Thus, unwittingly, we find ourselves walking a path where the shadows cast by our fears threaten to darken the very future we sought to prevent.

It seems that when a movie is released a parallel universe emerges in the demon world with Demons playing the characters in the movie. This demons have been willed into being by the collective consciousness of the movie audience.

The movie "Contagion" eerily foreshadowed aspects of the COVID-19 pandemic through its portrayal of a global viral outbreak and the ensuing societal chaos. Released in 2011, the film depicted the rapid spread of a fictional virus, showcasing themes of panic, misinformation, overwhelmed healthcare systems, and the race to develop a vaccine. The similarities to real-world events became striking as COVID-19 unfolded, revealing how the movie's narrative had anticipated key elements of a global health crisis. From government responses to public reactions, "Contagion" served as a chilling example of predictive programming, prompting reflection on the vulnerabilities and complexities inherent in our interconnected world when faced with a novel infectious disease.

Certain films intentionally or unintentionally foreshadow future events or social changes. One such example, the 2009 movie "2012" depicted cataclysmic events triggered by an alignment of planets and solar flares, resulting in global devastation. While 2012 did not witness such extreme events, the movie resonated with fears about the end of the Mayan calendar and a possible apocalypse, which had gained considerable attention leading up to that year. A couple of mega casualty disasters preceded the year 2012:

1). The Haiti earthquake with over 200,000 dead in January of 2010
2). The Japan earthquake and tsunami of March 2011 that killed over 20,000 people

These two mega death events lead to a general air of foreboding and unease about the predicted world ending in 2012.

From mega tsunamis to climate change, recent world history seems driven by the disaster movie genre, as the pace of these cataclysmic events quicken.